One year ago a group of students from Brock University presented QUEER‽NOW‽ to the world. It was a show that was not only the director’s undergraduate...
In their final post, our team of embedders at the Shaw Festival discuss their experience sitting in on a technical rehearsal and watching the world of The...
Student critics voice their thoughts on Theatre Aquarius’ world-premier of Steel City Gangster, written by George F. Walker and directed by Ron Ulrich. The...
The embedders return to the Shaw Festival’s The Horse and His Boy for their last rehearsal before they move into the Festival Theatre for technical...
The DARTCritics journied to Crow’s Theatre to see Stephen Massicotte’s play Mary’s Wedding, directed by Kent Staines. Students Dani Shae Barkley and Gwen...
To close out the coverage of Essential Collective Theatre‘s The Team by our critics, the non-embedding students attended the premiere and closing of the show...
Our Shaw embedders stepped into The Horse and His Boy‘s rehearsal hall for the first time. Shannon Fletcher, Alexandra Chubaty-Boychuk, Matt Lazaris-Brunner,...
The other half of our embedders give their final thoughts on The Team to close out DART Critics’ time embedding with Essential Collective Theatre. Dani Shae...
Hazel Adie and Frances Johnson write, Feeling almost as excited as if we were about to step on stage ourselves, we take out seats in the Robertson Theatre....
The second production we have students embedding is The Horse and His Boy at The Shaw Festival. Their first order of business was to meet the director,...
Alexandra Chubaty-Boychuk writes, “Are you scared to have another baby?” This is a question Christina Serra gets asked solely because her son, Bruno, has...
Carousel Players is known for bringing thought-provoking theatre to a younger crowd as they tour their inventive creations to school gyms across Southern...
Still in two groups, one half of our embedding team returned to The Team‘s rehearsal room once again and share their final observations. Dani Shae Barkley,...
Having returned to the rehearsal room once more, half of our embedding team remarks on the changes they witness. Hazel Adie and Frances Johnson write, We...
