Embedded Criticism

In the week before Scenes from an Execution opens, everyone I talked to has wanted to know how it works. We are staging the production online, a convention in theatre that has become necessary in the COVID-19 pandemic. There is no precedent for how to rehearse and perform theatre live online; the team has been adapting…

As the first online Mainstage, Scenes from an Execution has the whole team live-streaming in from their homes. There is one cast member who is bridging an exceptional distance through his participation in the Mainstage: Diego Blanco (pictured above) is performing and rehearsing from Querétaro, Mexico. Diego’s experienc…

Holly and Asenia serve up some basic information about what the DART Mainstage production is, and about the play Scenes from an Execution by Howard Barker.

Rehearsals for Scenes from an Execution are underway and the show is beginning to take shape. This process is not without its speed bumps, from actors with older computers to internet issues to loud roommates. The list goes on. Already the creative and production teams are devising strategies to handle online rehearsal…

It is another school year, but a school year like no other. DART is online, the Mainstage is online, and there are new DARTcritics. The Mainstage is a play produced by the department in the fall and winter each year, typically in the main theatre space. DARTcritics is a website for Brock students to get hands-on experi…

Welcome back, DARTcritics readers! Leah here again! Did you miss me? Well, even if you didn’t, I am sure you missed reading our coverage of DLT’s Inferno. After attending the In the Soil Arts Festival this past weekend and viewing the show for myself, it is time to report back on my thoughts and experiences. Today, I a…

Hello DARTcritics readers! Kristina here, reporting from St. Catharines as the In the Soil Arts Festival is full speed ahead in preparations. As Leah already explained in the previous post, I will be writing from an inside point of view as I will be more or less directly involved with the creation of DopoLavoro Teatral…

Hello DARTcritics readers! Welcome to the first in a series of articles written by myself and my colleague Kristina Ojaperv, about our work following the making of Inferno, a new production by DopoLavoro Teatrale (henceforth DLT). Throughout the coming weeks, we will dive into various areas of interest: the conversatio…

One year ago a group of students from Brock University presented QUEER‽NOW‽ to the world. It was a show that was not only the director’s undergraduate thesis project, but also an experience that was unapologetically queer. The team was comprised of Max Hunter, Ari Para, Dael M. Cooper and me, each of us taking part in…

In their final post, our team of embedders at the Shaw Festival discuss their experience sitting in on a technical rehearsal and watching the world of The Horse and His Boy come vividly to life. Shannon Fletcher, Matt Lazaris-Brunner, Alexandra Chubaty Boychuk, and Danielle Woodcock write, Well, readers, we have follow…