If you love your theatre dark, shocking, and emotionally raw, but still want to have the occasional laugh, then Cliff Cardinal’s Huff is for you. Be aware...
“Issues of power and privilege – who has it, who doesn’t have it, how is it shared – aren’t specific to institutions; they are being dealt with daily in...
Contemporary theatre companies are making strides in representing individuals whose voices society has tried to silence, especially those who identify as...
Essential Collective Theatre hits the mark in almost every aspect of their production of Hannah Moscovitch’s East of Berlin, but in trying to broach some...
Andrea Donaldson’s take on Harold Pinter’s Betrayal oozes the same qualities as Emma (Virgilia Griffith)’s yellow jumpsuit, designed by Ken Mackenzie...
Trigger warning: sexual assault, toxic gender roles. This review contains spoilers. Young women grow up learning a slew of double-standardized, mixed-signaled...
Who am I? The need for self-identification and self-actualization is an experience that many of us can relate to. The Heels of Our Grandfathers by Cole...
Welcome back, DARTcritics readers! Leah here again! Did you miss me? Well, even if you didn’t, I am sure you missed reading our coverage of DLT’s Inferno....
Hello DARTcritics readers! Kristina here, reporting from St. Catharines as the In the Soil Arts Festival is full speed ahead in preparations. As Leah already...
Hello DARTcritics readers! Welcome to the first in a series of articles written by myself and my colleague Kristina Ojaperv, about our work following the...
One year ago a group of students from Brock University presented QUEER‽NOW‽ to the world. It was a show that was not only the director’s undergraduate...
In their final post, our team of embedders at the Shaw Festival discuss their experience sitting in on a technical rehearsal and watching the world of The...
Student critics voice their thoughts on Theatre Aquarius’ world-premier of Steel City Gangster, written by George F. Walker and directed by Ron Ulrich. The...
The embedders return to the Shaw Festival’s The Horse and His Boy for their last rehearsal before they move into the Festival Theatre for technical...
