Trigger warning: sexual assault, toxic gender roles. This review contains spoilers. Young women grow up learning a slew of double-standardized, mixed-signaled...
Who am I? The need for self-identification and self-actualization is an experience that many of us can relate to. The Heels of Our Grandfathers by Cole...
Welcome back, DARTcritics readers! Leah here again! Did you miss me? Well, even if you didn’t, I am sure you missed reading our coverage of DLT’s Inferno....
Hello DARTcritics readers! Kristina here, reporting from St. Catharines as the In the Soil Arts Festival is full speed ahead in preparations. As Leah already...
Hello DARTcritics readers! Welcome to the first in a series of articles written by myself and my colleague Kristina Ojaperv, about our work following the...
One year ago a group of students from Brock University presented QUEER‽NOW‽ to the world. It was a show that was not only the director’s undergraduate...
In their final post, our team of embedders at the Shaw Festival discuss their experience sitting in on a technical rehearsal and watching the world of The...
Student critics voice their thoughts on Theatre Aquarius’ world-premier of Steel City Gangster, written by George F. Walker and directed by Ron Ulrich. The...
The embedders return to the Shaw Festival’s The Horse and His Boy for their last rehearsal before they move into the Festival Theatre for technical...
The DARTCritics journied to Crow’s Theatre to see Stephen Massicotte’s play Mary’s Wedding, directed by Kent Staines. Students Dani Shae Barkley and Gwen...
To close out the coverage of Essential Collective Theatre‘s The Team by our critics, the non-embedding students attended the premiere and closing of the show...
Our Shaw embedders stepped into The Horse and His Boy‘s rehearsal hall for the first time. Shannon Fletcher, Alexandra Chubaty-Boychuk, Matt Lazaris-Brunner,...
The other half of our embedders give their final thoughts on The Team to close out DART Critics’ time embedding with Essential Collective Theatre. Dani Shae...
Hazel Adie and Frances Johnson write, Feeling almost as excited as if we were about to step on stage ourselves, we take out seats in the Robertson Theatre....
