Tarndeep Pannu writes, The DART Mainstage talkback is an integral part of the mandate of our Dramatic Arts degree. It brings the praxis element of theatre, the...
Emma McCormick and Kristina Ojaperv write, At last, the day for excellence arrives – the first performance of This Will Be Excellent. Arriving at Oakridge...
It’s been over a week since Essential Collective Theatre’s world premiere of Our Lady of Delicias opened at the FirstOntario Performing Arts Centre and...
“You know theatre. The lights, the sound, the spectacle. When you take your seat in the auditorium, no matter the size, you know you’re in for a treat....
Welcome to the inaugural episode of the DARTcritics Presents: Two Peas in a Podcast! This podcast explores topics, themes, trends, conventions, and tropes in...
Emma McCormick and Kristina Ojaperv write, A technical rehearsal for a show with no lighting design is definitely not your typical tech. Our next rehearsal...
Welcome to the first post in our blog series on the Brock University Dramatic Arts winter mainstage production of Top Girls! Written in 1982 by Caryl...
The DARTcritics class of 2018 share their thoughts on Jordan Tannahill’s newest play Declarations, a post-dramatic exploration of grief that premiered at...
Emma McCormick and Kristina Ojaperv write… While a vision may look good in theory, it is how the cast and creative team build a show in rehearsal which gives...
For their first review of 2018, the DARTcritics class attended Matt MacKenzie’s Bears, a co-production between Alberta Aboriginal Performing Arts and...
Emma McCormick and Kristina Ojaperv write, As our journey into the evolving form of embedded criticism begins, we feel the title of Jordi Mand’s new work...
For their final review of the term, the DARTcritics class take on The National Theatre’s production of The Curious Incident of the Dog in the...
Essential Collective Theatre (ECT) is a St Catharines staple. Their latest production, The Welland Canal Play, takes another local icon as its subject...
In October, the DARTcritics class of 2017/18 saw the Shaw Festival’s production of Alan Bennett’s 1994 historical dramedy The Madness of George III. Cue an...