The fourth-year Brock Dramatic Arts course DART 4F56 involves an ensemble of students, led by a faculty director, staging two fully-produced shows in the...
Every year the University of Windsor School of Dramatic Art produces multiple plays featuring its fourth-year students. This year, under the circumstances of...
How do we keep theatre alive during a global pandemic? This question arose nearly a year ago, motivating theatremakers to develop Zoom theatre. Whether it be...
Pre-recorded digital theatre can reduce performers to ghosts. The moment of ephemerality has passed; a recording hopes to capture its spirit for the viewer. I...
It’s been a few weeks since the final performance of Brock University Department of Dramatic Arts’ Fall Mainstage, Scenes from an Execution. Closing off their...
Here’s Holly Hebert’s final solo vlog from behind the scenes of the Fall 2020 DART Mainstage, Scenes from an Execution. She and Asenia will round off this...
Scenes from an Execution has opened, and even as someone working on it I was floored by how well the ambitious design turned out and how far the actors have...
In the week before Scenes from an Execution opens, everyone I talked to has wanted to know how it works. We are staging the production online, a convention in...
As the first online Mainstage, Scenes from an Execution has the whole team live-streaming in from their homes. There is one cast member who is bridging an...
Holly and Asenia serve up some basic information about what the DART Mainstage production is, and about the play Scenes from an Execution by Howard Barker.
Rehearsals for Scenes from an Execution are underway and the show is beginning to take shape. This process is not without its speed bumps, from actors with...
It is another school year, but a school year like no other. DART is online, the Mainstage is online, and there are new DARTcritics. The Mainstage is a play...
Shaista Latif’s one-person production The Archivist came to St. Catharines as part of a southern Ontario tour in late February, 2020, produced by Why Not...
Watching Glory Die is a call to action. Judith Thompson’s play is based on the true events surrounding the death of Ashley Smith, a teenage inmate at...
