Niagara Theatre

As the first online Mainstage, Scenes from an Execution has the whole team live-streaming in from their homes. There is one cast member who is bridging an exceptional distance through his participation in the Mainstage: Diego Blanco (pictured above) is performing and rehearsing from Querétaro, Mexico. Diego’s experienc…

It is another school year, but a school year like no other. DART is online, the Mainstage is online, and there are new DARTcritics. The Mainstage is a play produced by the department in the fall and winter each year, typically in the main theatre space. DARTcritics is a website for Brock students to get hands-on experi…

Shaista Latif’s one-person production The Archivist came to St. Catharines as part of a southern Ontario tour in late February, 2020, produced by Why Not Theatre. Via Why Not, Latif reached out to BIPOC in Brock’s Department of Dramatic Arts and invited them to respond to the production – one of several recent gestures…

Essential Collective Theatre hits the mark in almost every aspect of their production of Hannah Moscovitch’s East of Berlin, but in trying to broach some difficult subject matter, the company may be taking risks with audiences involving a large number of university students. Some issues raised toward the end of the pla…

Welcome back, DARTcritics readers! Leah here again! Did you miss me? Well, even if you didn’t, I am sure you missed reading our coverage of DLT’s Inferno. After attending the In the Soil Arts Festival this past weekend and viewing the show for myself, it is time to report back on my thoughts and experiences. Today, I a…

Hello DARTcritics readers! Kristina here, reporting from St. Catharines as the In the Soil Arts Festival is full speed ahead in preparations. As Leah already explained in the previous post, I will be writing from an inside point of view as I will be more or less directly involved with the creation of DopoLavoro Teatral…

Hello DARTcritics readers! Welcome to the first in a series of articles written by myself and my colleague Kristina Ojaperv, about our work following the making of Inferno, a new production by DopoLavoro Teatrale (henceforth DLT). Throughout the coming weeks, we will dive into various areas of interest: the conversatio…

One year ago a group of students from Brock University presented QUEER‽NOW‽ to the world. It was a show that was not only the director’s undergraduate thesis project, but also an experience that was unapologetically queer. The team was comprised of Max Hunter, Ari Para, Dael M. Cooper and me, each of us taking part in…

In their final post, our team of embedders at the Shaw Festival discuss their experience sitting in on a technical rehearsal and watching the world of The Horse and His Boy come vividly to life. Shannon Fletcher, Matt Lazaris-Brunner, Alexandra Chubaty Boychuk, and Danielle Woodcock write, Well, readers, we have follow…

The embedders return to the Shaw Festival’s The Horse and His Boy for their last rehearsal before they move into the Festival Theatre for technical rehearsals. Shannon Fletcher, Matt Lazaris-Brunner, Alexandra Chubaty Boychuk, and Danielle Woodcock write, It’s an exciting thing, walking into Shaw and being recognized b…