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“Issues of power and privilege – who has it, who doesn’t have it, how is it shared – aren’t specific to institutions; they are being dealt with daily in the professional arts community too. If honest conversations are had in the community, with the intention of learning and creating safe spaces for everyone, then we ca…

Contemporary theatre companies are making strides in representing individuals whose voices society has tried to silence, especially those who identify as transgender, or don’t identify with a gender at all. Transgender performance artist Travis Alabanza’s one-person show, Burgerz, has been getting rave reviews around E…

Hello DARTcritics readers! Welcome to the first in a series of articles written by myself and my colleague Kristina Ojaperv, about our work following the making of Inferno, a new production by DopoLavoro Teatrale (henceforth DLT). Throughout the coming weeks, we will dive into various areas of interest: the conversatio…

That Ugly Mess promotional image from the In the Soil Festival Welcome back, readers! Since we’ve been quiet for quite some time now, we will reintroduce ourselves. We are Raylene Turner, Alex Tomulescu, Jonah McGrath, Heather Allen, and Andrew Von Lukawiecki. For our Theatre Criticism class we are working as embedded…

Not just for Sarah, for everyone; The Divine: A Play for Sarah Bernhardt is misleading in its title, but moving in its story. Written by Michel Marc Bouchard and developed by Jackie Maxwell for the Shaw Festival, Linda Gaboriau’s English translation of The Divine premieres this season at the Royal George Theatre. Set i…

Nick and Hayley’s open dialogue about Annable Soutar’s newest play The Watershed continues. For those of you who are behind, you can read part one here. Here is Hayley’s response to Nick’s letter. Hi Nick, Thanks for your letter. I like what you have to say about The Watershed’s narrative structure and I agree: what ma…

The work of a theatre company with its finger on the pulse of a city, such as Suitcase In Point, is never done. The tents of The Hub have barely been packed away, and they are already hard at work planning next year’s festival. Nick met up with Annie Wilson (read our other interview with her here) and Deanna Jones to c…

DARTCritic Katie Coseni writes: As every student knows (yet will vehemently deny) Wikipedia is one of our go-to sources for information. But did you know that many prominent women in Canadian theatre are grossly under-represented online? In a society so dependant on technology, having no online presence can be detrimen…

On January 15 the DART critics class saw The Double at the Sean O’Sullivan Theatre. It’s a musical clown adaptation of Fyodor Dostoyevsky’s novella which received divided reviews from the DART critics. We’ve posted two reviews with very different opinions.  Photo: Lacey Creighton Elizabeth Amos writes: Dostoevsky’s psy…

Matthew Olver, Sarah Murphy-Dyson, and Dana Puddicombe in Parents NIght. Photos: Kayla Rocca For the second time this year, leading Canadian playwright George F. Walker has premiered a new work in the Niagara region. Following on from The Ravine, produced by Lyndesfarne Theatre Projects in Niagara Falls in May, CrazyLa…