March 2, 2016 Linda Duong, Brendan Farley, Chloe Lemay, Kaitlin Morrison, Rachelle Scott, and Demetri Tsioros write: We started with a meeting with director...

Johnathan Clancy writes: Four little girls dare each other to enter the home of a deranged, reality-bending clown. What could go possibly wrong? Such is the...

This review has been written in the context of the 2015-2016 Brock University Department of Dramatic Arts’ Theatre Criticism course. You can read another point...

The November Ticket: there’s something gloomily appropriate about the title the Theatre Centre has given its mini-season, co-presented with Why Not Theatre,...

The Shaw Festival is coming into the last few months of its season, but it is not too late to experience the energetic and captivating ensemble work of the...

The title Love + Hate sums up my feelings towards the brightly costumed but darkly delivered doomsday pop-musical at SummerWorks this season.  Performing in...

Is Shrödinger’s rapist still a rapist if the box hasn’t been opened yet? That’s the question the red light district is looking to answer in their...

Immersion at its best. That Syncing Feeling features two outstanding, stand-alone “experiments” that link strangers together with the use of text...

Tough Guy Mountain needs an overhaul in order to become the innovative company it wants to be. Self-titled, Tough Guy Mountain: A Play by Iain Soder is about a...

What happens when the uncertain future does not comply with our ideal way of living? Eda Holmes, director of The Intelligent Homosexual’s Guide to Capitalism...

Not just for Sarah, for everyone; The Divine: A Play for Sarah Bernhardt is misleading in its title, but moving in its story. Written by Michel Marc Bouchard...

Nick and Hayley’s open dialogue about Annable Soutar’s newest play The Watershed continues. For those of you who are behind, you can read part one here....

“This river I step in is not the river I stand in,” postal worker Albert Jackson reads from a sign on his daily route; what feels like a misplaced line of...

If you hate having fun, don’t go see Much Ado About Nothing by Make Art Theatre at the Hamilton Fringe Festival. This show is stuffed with good times,...