“This river I step in is not the river I stand in,” postal worker Albert Jackson reads from a sign on his daily route; what feels like a misplaced line of poetry soon sets up an entire performance. The Postman, based on the trials and tribulations of Toronto’s first black postal worker Albert Jackson, is a show that of…
A note from Hayley: Nick and I have wanted to do a joint review for a while now. We were fortunate to both be free last week to see Annabel Soutar’s new piece The Watershed, playing at Canadian Stage as part of PANAMANIA. Keeping in kind with the play itself, which played with the use of Skype, Facebook chat and emails…
“This story is not going to be real, but it’s going to be really felt,” Ravi Jain, Artistic Director of Why Not Theatre, says in a hokey Indian accent, imitating his grandfather. Dropping the accent Jain goes on, “Stories help us discover our future, and connect us to our past.” Gimme Shelter, playing at the Young Cent…
When I first heard that Robert Lepage had written, directed, and would perform a one-person show for the PANAMANIA Festival about his life growing up in Québec, the first word that came to my mind was – dare I say it? – indulgent. “An entire show about Lepage, by Lepage?” I thought to myself. “Should I buy a biography…
Chris Abraham returns to Stratford’s Festival Theatre with another unique take on one of Shakespeare’s classics. After witnessing cross-gender casting and queer romances in Chris’ interpretation of A Midsummer Night’s Dream last year, I phoned him up to get the 411 on his new production of The Taming of the Shrew. Mean…
Ashes to Ashes; dust to dust; Pinter what are you trying to tell us? Stray Theatre takes on a double bill in what makes for a dark and slightly depressing Sunday afternoon in the Sullivan Mahoney Courthouse Theatre. Retired Brock University Professor Peter Feldman directs both productions, hitting audiences with Pinter…
One of the most interesting things about In The Soil is its dedication to local art and artists. So strong is this dedication that they were happy to host the end of a much longer run of Stolen Theatre Collective’s production of The Dumb Waiter. The show Premiered April 10 at the Courthouse Theatre, and has already cre…
On a frigid April night, La Scala Ristorante burned hot with talk of love: Zuppa Theatre Co.’s Pop Up Love Party is the kind of ‘dinner theatre’ that makes each mouthful feel like a meal, and each uttered thought feel like a magic spell. Our four critics saw the show on Thursday night. Here are their thoughts: Nicholas…
We’re back! Last year, we spent a great weekend covering the theatrical side of St. Catharines’ In The Soil Arts Festival. This year we’re at it again – along with two more DART critics, Alex and Elizabeth – and we’re not restricting ourselves to just one theatre festival. All summer long, we will be providing coverage…
Critic in Residence Nicholas Leno writes, Dr. Jackson Carter (Tanisha Minson) The apocalypse has reached London, not 28 days later, but right now! Last week St Catharines’ Dragonfire Players were in London, Ontario performing their newest show The After Year for the London Fringe Festival. I began following Dragonfire…