Posts Tagged ‘Toronto theatre’

The DARTcritics class of 2017-18 recently saw Tarragon’s remounting of Hannah Moscovitch’s Bunny. Originally premiering at the Stratford Festival in 2016, Bunny explores the themes of desire, shame, female sexuality, and friendship. Our critics weigh in on these themes below:  Emma McCormick writes, With its raw acting…

The DARTcritics class of 2018 share their thoughts on Jordan Tannahill’s newest play Declarations, a post-dramatic exploration of grief that premiered at Toronto’s Canadian Stage in January: Catherine Tait writes, How does one approach the imminent loss of a parent? In the case of Jordan Tannahill the answers are exqui…

For their final review of the term, the DARTcritics class take on The National Theatre’s production of The Curious Incident of the Dog in the Night-Time, playing at Mirvish’s Princess of Wales Theatre. The acclaimed production may have won both Olivier and Tony Awards, but our critics have more mixed reviews: Abigail B…

A relationship in shambles, a spunky innkeeper with a dark past, and thousands of eyes watching—Annie Baker’s John brings audiences face-to-face with the unsettling and the uncomfortable. Directed by Jonathan Goad for the Company Theatre, and performed at the Berkeley Street Theatre Upstairs in Toronto, John presents a…

The title Love + Hate sums up my feelings towards the brightly costumed but darkly delivered doomsday pop-musical at SummerWorks this season.  Performing in the Factory Theatre Mainspace, The PepTides deliver their upbeat take on what is wrong with humanity in the form of a five-part harmony interspersed with quick, qu…

Is Shrödinger’s rapist still a rapist if the box hasn’t been opened yet? That’s the question the red light district is looking to answer in their updated take on Heinrich von Kleist’s 19th Century short story, the marquise of o-. Playing in the Factory Theatre Mainspace during Toronto’s SummerWorks Festival, marquise i…

Immersion at its best. That Syncing Feeling features two outstanding, stand-alone “experiments” that link strangers together with the use of text messaging, probing the nature of technology and how it’s affected our interactions as human beings. Outside the March Theatre Company showcases Tethered Together by Simon Blo…

Tough Guy Mountain needs an overhaul in order to become the innovative company it wants to be. Self-titled, Tough Guy Mountain: A Play by Iain Soder is about a strange and eccentric branding company that manages premium quality brands for various companies. The audience follows Lisa’s (Jessica Brown’s) first day as an…

“This river I step in is not the river I stand in,” postal worker Albert Jackson reads from a sign on his daily route; what feels like a misplaced line of poetry soon sets up an entire performance. The Postman, based on the trials and tribulations of Toronto’s first black postal worker Albert Jackson, is a show that of…

All aboard the Rukmini’s Gold train, stopping now at the Hamilton Fringe Festival. Their next stop? Perhaps a tune-up at the train yard is in order. Radha S. Menon’s play, winner of the 2015 Toronto Fringe New Play Contest, is playing at Mills Hardware this summer in Hamilton. Presented by Red Betty Theatre and directe…