Posts Tagged ‘student criticism’

Our Shaw embedders stepped into The Horse and His Boy‘s rehearsal hall for the first time. Shannon Fletcher, Alexandra Chubaty-Boychuk, Matt Lazaris-Brunner, and Danielle Woodcock write, The Shaw Festival is one of Canada’s most prestigious theatre companies. The four of us have all seen shows at Shaw before, and now w…

The other half of our embedders give their final thoughts on The Team to close out DART Critics’ time embedding with Essential Collective Theatre. Dani Shae Barkley, Jonah Pace, and Kristina Testa write, The creative team engages in their “Check-out” circle. Photo by Kristina Testa. When we walked into the Robertson Th…

Hazel Adie and Frances Johnson write, Feeling almost as excited as if we were about to step on stage ourselves, we take out seats in the Robertson Theatre. Director Colin Anthes steps forward to thank us all for attending and gives a land acknowledgement. That calm, confident voice now so familiar from rehearsals is li…

The second production we have students embedding is The Horse and His Boy at The Shaw Festival. Their first order of business was to meet the director, Christine Brubaker. Alexandra Chubaty Boychuk, Shannon Fletcher, Matthew Lazaris-Brunner, and Danielle Woodcock write, Photo by Peter Andrew Lusztyk. Design by KeyGordo…

Alexandra Chubaty-Boychuk writes, “Are you scared to have another baby?” This is a question Christina Serra gets asked solely because her son, Bruno, has cerebral palsy. She used to perform in Ahuri Theatre’s This is the Point, but then made the decision not to anymore. Her husband Dan Watson explains during the show t…

Still in two groups, one half of our embedding team returned to The Team‘s rehearsal room once again and share their final observations. Dani Shae Barkley, Jonah Pace, and Kristina Testa write,  Returning to the Suitcase in Point rehearsal space, we are quite excited to witness the progress that the artists of The Team…

Having returned to the rehearsal room once more, half of our embedding team remarks on the changes they witness.  Hazel Adie and Frances Johnson write,  We arrive for our second and final visit to familiar smiling faces. This rehearsal is a week and a half away from Essential Collective Theatre’s first performance of T…

Members of the DARTcritics class of 2019 deliberate on the nature of masculinity and how it manifested itself in PARADIGM Productions‘ premiere of The Scavenger’s Daughter. The show ran from January 15th – 27th and was presented at Buddies in Bad Times Theatre.  Josh Loewen writes, Dispatch: More Cook. Characters call…

In the first round of reviews from the 2019 DARTcritics class, students Heather Janser and Matt Lazaris-Brunner offer their takes on Rajiv Joseph’s play Gruesome Playground Injuries. Gruesome Playground Injuries, directed by Chris Bretecher, was presented at The Assembly Theatre and produced by Leroy Street Theatre.  H…

The DARTcritics class of 2017-18 recently saw Tarragon’s remounting of Hannah Moscovitch’s Bunny. Originally premiering at the Stratford Festival in 2016, Bunny explores the themes of desire, shame, female sexuality, and friendship. Our critics weigh in on these themes below:  Emma McCormick writes, With its raw acting…