Posts Tagged ‘DART Program’

In October, the DARTcritics class of 2017/18 saw the Shaw Festival’s production of Alan Bennett’s 1994 historical dramedy The Madness of George III. Cue an impassioned discussion about madness and metatheatricality:  Colin Williams writes, As I enter the auditorium of the Royal George Theatre, I am immediately whisked…

The DARTCritics recently saw The Incredible Speediness of Jamie Cavanaugh produced by Carousel Players at the Sullivan Mahoney Courthouse Theatre. Taking on the interesting challenge of reviewing YA (young adult) theatre, here’s what two critics thought of the production: Actors Amelia Sargisson and Sean Baek. Photo: B…

Cast members (from left) Sanger, Walker, Jackson, Turner, and Pashkovsky. Photo by Melinda Mohammed. Melinda Mohammed writes: Ex-boyfriends, doctors, sex, and clowns — oh my! That’s right, clowns! Sexual Healing, a production playing this weekend at Brock University, brings laughter, laughter and, well, more laughter.…

DART fourth-year student Keavy Lynch recently finished a six week internship at the Shaw Festival this summer. Here is a consolidated list of blog posts from her time there.   Thoughts around the Table May 13, 2014 In the first, she muses on tablework – the early phase of a rehearsal in which the director, performers a…

Here are highlights from the recent colloquium, The Changing Face of Criticism in the Digital Age, held at Brock University this March. Videos edited by Dramatic Arts students Jessica De Hoog, Emily Ferrier, Misha Harding, James Keating, Nicholas Leno, Brianne Lidstone, Hayley Malouin, and Kendra Neaves. Theatre in Nia…

Critic in Residence Nicholas Leno writes,  Dr. Jackson Carter (Tanisha Minson) The apocalypse has reached London, not 28 days later, but right now! Last week St Catharines’ Dragonfire Players were in London, Ontario performing their newest show The After Year for the London Fringe Festival. I began following Dragonfire…

30 January 2014: At the end of their embedding, and having read some of their classmates’ review responses to the production, the five students following the process of The Valley reflected on their experiences. Here are excerpts from what they wrote:  Anthony Kuchar writes: In all the years I’ve been working and study…

Critics in residence Nicholas Leno and Hayley Malouin write, How can we write an ending to a weekend that has been the most hectic, fun, and inspiring experience we’d had since making this little ol’ town our home? We aren’t quite sure, but we’re definitely going to try. If you loved In The Soil as much as we did, then…

Critic in residence Hayley Malouin writes, “We are all Creator-made. And the Creator does not make junk.” On Sunday evening Debajehmujig Theatre Group presented The Global Savages, an hour-long event sharing the cultural and spiritual history of the Anishinaabeg people. It is not so much a performance as a kind of heig…

Critic in residence Hayley Malouin writes, Let’s get one thing straight: we refuse to stop gushing about In The Soil. As our criticism for the festival comes to a close (this year’s, at least!), and with it my engagement with Once, Nick and I wanted to have a post-festival chat with Twitches and Itches artistic directo…