Interview

The work of a theatre company with its finger on the pulse of a city, such as Suitcase In Point, is never done. The tents of The Hub have barely been packed away, and they are already hard at work planning next year’s festival. Nick met up with Annie Wilson (read our other interview with her here) and Deanna Jones to c…

One of the most interesting things about In The Soil is its dedication to local art and artists. So strong is this dedication that they were happy to host the end of a much longer run of Stolen Theatre Collective’s production of The Dumb Waiter. The show Premiered April 10 at the Courthouse Theatre, and has already cre…

Celebrate and rejoice for Mark Harrigan’s first-ever original production Marred Bliss, premiering at In The Soil this weekend. As a third-year Dramatic Arts student at Brock University, Harrigan is humbled to have his first production be professionally produced at In The Soil. Marred Bliss is entirely student based, sh…

We’re back! Last year, we spent a great weekend covering the theatrical side of St. Catharines’ In The Soil Arts Festival. This year we’re at it again – along with two more DART critics, Alex and Elizabeth – and we’re not restricting ourselves to just one theatre festival. All summer long, we will be providing coverage…

“A queer and trans-gender guide to help the survival of the quirkiest!” That’s how upcoming graduates of Brock’s Dramatic Arts Department describe their performance piece about LGBTQ issues, Awkward and Uncomfortable, coming out to Brock University on April 16th! Students in the fourth-year class DART 4F56 have been wo…

Critic in residence Hayley Malouin writes, Let’s get one thing straight: we refuse to stop gushing about In The Soil. As our criticism for the festival comes to a close (this year’s, at least!), and with it my engagement with Once, Nick and I wanted to have a post-festival chat with Twitches and Itches artistic directo…

Critic in residence Nicholas Leno writes, Well that’s all folks! In The Soil is wrapped up and the shows are over. Or are they? Yesterday Hayley and I sat down with some artists from In The Soil to discuss the future life of projects that premiered in this year’s local arts festival. Among them, still sporting the bean…

Critic is residence Hayley Malouin writes, Sunday night on the hillside just behind Rodman Hall, seated around a fire boiling cedar tea, Manitoulin Island’s Debajehmujig Theatre Group will present The Global Savages – an experience that blurs the lines between performance and storytelling; myth and history; theatre and…

Critic in residence Nicholas Leno writes, In the not too distant future our over-populated planet is nearly wiped out by a deadly super-virus that kills its hosts in their sleep. A year has passed since the virus’ spread, and Jackson, hero of Dragonfire Players’ new show The After Year, leads a group of survivors as th…

Embedded criticism involves an arts writer following a creative process closely and generating writing about the process that reflects this insider knowledge. The term was coined by London (UK)-based theatre critic and blogger Andrew Haydon in April 2012 and expanded on by the New York City-based arts writer and advoca…