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Still in two groups, one half of our embedding team returned to The Team‘s rehearsal room once again and share their final observations. Dani Shae Barkley, Jonah Pace, and Kristina Testa write,  Returning to the Suitcase in Point rehearsal space, we are quite excited to witness the progress that the artists of The Team…

Having returned to the rehearsal room once more, half of our embedding team remarks on the changes they witness.  Hazel Adie and Frances Johnson write,  We arrive for our second and final visit to familiar smiling faces. This rehearsal is a week and a half away from Essential Collective Theatre’s first performance of T…

The second half of our embedding team offers further insight into their visit to The Team‘s rehearsal room.  Hazel Adie and Frances Johnson write, “Holy shit! – that’s not the line,” the actor Laura Welch shouts as she starts a run-through of a scene, and the room dissolves into helpless giggles. This moment is one amo…

After interviewing part of creative team for Essential Theatre Collective‘s production of The Team, our five embedders split into two groups to provide a broader range of perspectives and more coverage of the process.  Dani Shae Barkley, Jonah Pace, and Kristina Testa write, On the chillyafternoon of March 1st, we appr…

This year, our student embedders become one of The Team, as they follow the creation process of Essential Theatre Collective‘s upcoming show. To start, they met with director Colin B. Anthes and designer James McCoy to discuss their vision for The Team. Hazel Adie, Dani Shae Barkley, Frances Johnson, Jonah Pace, and Kr…

Members of the DARTcritics class of 2019 deliberate on the nature of masculinity and how it manifested itself in PARADIGM Productions‘ premiere of The Scavenger’s Daughter. The show ran from January 15th – 27th and was presented at Buddies in Bad Times Theatre.  Josh Loewen writes, Dispatch: More Cook. Characters call…

In the first round of reviews from the 2019 DARTcritics class, students Heather Janser and Matt Lazaris-Brunner offer their takes on Rajiv Joseph’s play Gruesome Playground Injuries. Gruesome Playground Injuries, directed by Chris Bretecher, was presented at The Assembly Theatre and produced by Leroy Street Theatre.  H…

In the winter, Toronto’s Factory Theatre becomes home to Fringe Toronto’s Next Stage Festival, the self-described “curated, boutique” festival. For those unfamiliar with the Toronto Fringe Festival, it’s an annual theatre festival that features indie artists performing all over the city. Rather than plan the roster by…

Welcome to the first post in our blog series on the Brock University Dramatic Arts winter mainstage production of Top Girls! Written in 1982 by Caryl Churchill and directed for DART by faculty member Danielle Wilson, Top Girls is an exploration of and critical look at women and their relationships to power and success.…

That’s all, folks! DART 4F56’s production of Jennifer Haley’s Neighborhood 3: Requisition of Doom has reached the last chapter. Leading up to our weekend of performances we had not one, but four tech runs—that is a lot considering Brock mainstages only have two. Since this was such a tech-heavy show it was crucial to b…