Posts Tagged ‘St. Catharines’

Embedded criticism involves an arts writer following a creative process closely and generating writing about the process that reflects this insider knowledge. The term was coined by London (UK)-based theatre critic and blogger Andrew Haydon in April 2012 and expanded on by the New York City-based arts writer and advoca…

DART student Tara Johnston (at podium) shares research with the “Critics, Bloggers, and Cultural Legitimation” panel DART student Kendra Neaves (at podium), Jill Dolan, Richard Ouzounian (Toronto Star), Karen Fricker Marilyn I. Walker, benefactor of the Walker Cultural Leaders series and the Marilyn I. Walker School of…

Guest of honour Jill Dolan: the feminist spectator in action, at Brock DART student Angie Colosimo’s doodle of the Critics and Niagara panel Stephen Remus (centre, Niagara Artists Centre) with Steve Solski and Jill Dolan The multimedia environment in Sankey Chambers Monica Dufault (left, Essential Collective Theatre) w…

20 February 2014: As part of their preparation for our colloquium, The Changing Face of Theatre Criticism in the Digital Age,  the DARTcritics undertook research on a number of critics, bloggers, and others with an interest in their work, looking in particular at how online forms of communication (including social medi…

As part of their participation in Jill Dolan’s visit to Brock and the theatre criticism colloquium, a group of DARTcritics have imagined a utopian theatre community online. Here is a link to their research on this: http://utopiantheatre.wordpress.com

Richards (left) and Griffith with Céspedes and Bolin (background) in The Power of Harriet T 1 March 2014: Carousel Players’ mandate is to create professional theatre for young audiences aged 5-15. So, what impression would one of their shows have on a group of University students? The DARTcritics reviewed Carousel’s pr…

10 April 2014: This is a selection of the DARTcritics’ reviews of A Beautiful View. Cassandra Moerman writes: Well, fans and friends, I went to see A Beautiful View by Daniel MacIvor, and let me tell you: the view was pretty incredible. Volcano Theatre put on this stellar performance in a section of the Sean O’Sullivan…

On 16 November 2013, the DARTcritics (as part of the audience of nearly 2,000) attended the STRUTT Wearable Art Show at the W.S. Tyler factory in St Catharines. From fire dancers, to a fabulous catwalk show with a live soundtrack by the  Toronto-based country-meets-rock style band The Sadies, to acrobats suspended on s…

On Friday, 25 October, the DARTcritics attended the production One, from Montréal’s Orange Noyée productions, at the Brock Centre for the Arts. Here is a selection of their critical responses: Mani Soleymanlou Sarah Lawrence writes: Darkness.  Silence.  Anticipation.  Suddenly, a shadowy figure darts across the stage,…

Next week sees the Brock Department of Dramatic Arts main stage production of Shakespeare’s Twelfth Night, featuring several members of the DARTcritics team. The production, co-directed by DART professors Gyllian Raby and Danielle Wilson, is set in the 1950s and laced through with country blues music. It plays from 7-9…