Here are highlights from the recent colloquium, The Changing Face of Criticism in the Digital Age, held at Brock University this March. Videos edited by Dramatic Arts students Jessica De Hoog, Emily Ferrier, Misha Harding, James Keating, Nicholas Leno, Brianne Lidstone, Hayley Malouin, and Kendra Neaves. Theatre in Nia…

30 January 2014: At the end of their embedding, and having read some of their classmates’ review responses to the production, the five students following the process of The Valley reflected on their experiences. Here are excerpts from what they wrote:  Anthony Kuchar writes: In all the years I’ve been working and study…

Embedded criticism involves an arts writer following a creative process closely and generating writing about the process that reflects this insider knowledge. The term was coined by London (UK)-based theatre critic and blogger Andrew Haydon in April 2012 and expanded on by the New York City-based arts writer and advoca…

DART student Tara Johnston (at podium) shares research with the “Critics, Bloggers, and Cultural Legitimation” panel DART student Kendra Neaves (at podium), Jill Dolan, Richard Ouzounian (Toronto Star), Karen Fricker Marilyn I. Walker, benefactor of the Walker Cultural Leaders series and the Marilyn I. Walker School of…

Guest of honour Jill Dolan: the feminist spectator in action, at Brock DART student Angie Colosimo’s doodle of the Critics and Niagara panel Stephen Remus (centre, Niagara Artists Centre) with Steve Solski and Jill Dolan The multimedia environment in Sankey Chambers Monica Dufault (left, Essential Collective Theatre) w…

Early Saturday morning on March 8, a group of five of us #DARTCritics headed to the Shaw Festival Theatre, to sit in on a rehearsal of director Peter Hinton’s production of Cabaret. With little idea of what to expect, and the buzz of coffee-charged chatter filling the small car, we made our way to the beautiful Niagara…

20 February 2014: As part of their preparation for our colloquium, The Changing Face of Theatre Criticism in the Digital Age,  the DARTcritics undertook research on a number of critics, bloggers, and others with an interest in their work, looking in particular at how online forms of communication (including social medi…

As part of their participation in Jill Dolan’s visit to Brock and the theatre criticism colloquium, a group of DARTcritics have imagined a utopian theatre community online. Here is a link to their research on this: http://utopiantheatre.wordpress.com

Richards (left) and Griffith with Céspedes and Bolin (background) in The Power of Harriet T 1 March 2014: Carousel Players’ mandate is to create professional theatre for young audiences aged 5-15. So, what impression would one of their shows have on a group of University students? The DARTcritics reviewed Carousel’s pr…

10 April 2014: This is a selection of the DARTcritics’ reviews of A Beautiful View. Cassandra Moerman writes: Well, fans and friends, I went to see A Beautiful View by Daniel MacIvor, and let me tell you: the view was pretty incredible. Volcano Theatre put on this stellar performance in a section of the Sean O’Sullivan…