In October, the DARTcritics class of 2017/18 saw the Shaw Festival’s production of Alan Bennett’s 1994 historical dramedy The Madness of George III. Cue an impassioned discussion about madness and metatheatricality: Colin Williams writes, As I enter the auditorium of the Royal George Theatre, I am immediately whisked…
DART fourth-year student Keavy Lynch recently finished a six week internship at the Shaw Festival this summer. Here is a consolidated list of blog posts from her time there. Thoughts around the Table May 13, 2014 In the first, she muses on tablework – the early phase of a rehearsal in which the director, performers a…
Early Saturday morning on March 8, a group of five of us #DARTCritics headed to the Shaw Festival Theatre, to sit in on a rehearsal of director Peter Hinton’s production of Cabaret. With little idea of what to expect, and the buzz of coffee-charged chatter filling the small car, we made our way to the beautiful Niagara…
The 35 students in DART’s Theatre Criticism class saw the Shaw Festival’s production of Lady Windermere’s Fan on 24 October, 2013. Here is a selection of the DARTcritics’ reviews. Hayley Malouin writes: The only true constant is scandal, a sentiment made exquisitely clear in the Shaw Festival’s production of Lady Wind…
